In the commercial design world there are a number of common ways of printing we’re all used to; offset litho, digital, flexo, etc… But what about printing in 3D – and running off body parts?!
I sounds far-fetched but ‘3D printers have been used in architectural schools for quite some time already (and self-replicating home models are becoming more and more common), a 3D food printer is under development, and now several sources are working on 3D bio-printers: machines that will “print” organs so patients will no longer have to wait for transplant donations. Recently, the first commercial organ printer was built by biomedical company Invetech and delivered to Organovo, a company that has pioneered the bioprinting technology.

The printer is already capable of producing arteries, which doctors will be able to use in bypass surgeries in as little as five years. Other, more complex body parts should be possible within ten years: bones and hearts, for example. The printer works by using two print heads. One lays down a scaffold and the other places human cells into the shape of whatever organ is being formed. There’s little threat of the new organ being rejected since it’s made of the patient’s
own cells.’ – Read more at Gajitz.

So what does this mean for the graphic design industry? Well, obviously it  means we’ll finally be able to send flesh bound books like the Necronomicon Ex-Mortis to print!

(Opinion: Jon Price – Graphic Designer)

The recently launched Apple iPad may not instantly deliver the commercial impact of the iPhone, but it represents another important step towards the inevitable convergence of the personal computer and the publishing industry. Whether we like it or not, the way we design is going to change forever.

Before long, graphic designers (and photographers) will have to start working in a different way. Using devices such as the Apple iPad, the consumer will be able to access all kinds of ‘publication’ electronically – which will undoubtedly feature both still images and, increasingly, video content and animation. Not only is video more engaging, it is also easier and faster to consume – an important factor in today’s ever-busier society. Like it or not, most of us that don’t currently ‘do’ moving pictures are soon going to have to learn. (There are already professional cameras on the market, such as the Canon 7D, which can capture both stills and full HD video. This is no accident.)

Currently, many agencies deal with, say, press advertising entirely separately from digital, television and video; indeed clients often use a different agency for one than they do for another; but increasingly there’s a call for integrated campaigns and for agencies that can deliver value across multiple channels. Promotions are becoming multi-dimensional, which adds complexity (and an interesting challenge) for the agencies that dream them up. Ultimately the agencies that will gain an advantage are those that can become truly media agnostic – those that can combine static content with rich media and whose ideas can work across all types of platform.

It’s up to the design and photographic industries to embrace new technology and to guide their clients on this fascinating journey we’re all taking. Sure, this will mean investment and upskilling for many of us, but the benefit will be the ability to offer a more holistic approach to corporate communications and, with it, client retention and loyalty (not to mention how interesting all of our jobs will become!).

The iPad is another signal that the publishing and design industries are in the middle of a revolution.  We wait with bated breath to see where it will lead!

[Opinion: Paul Mabin - Creative Director]

2010/01 Michael Bierut from CreativeMornings on Vimeo.

A brand new talk from Pentagram’s Micheal Bierut on clients, the good and the bad.

(Opinion: Jon Price – Graphic Designer)

For anyone who didn’t see Ascari appear on ITV the other night – check out this bite-sized clip, or take a look at the website we designed and built for them at http://www.ascari.net.

Incidentally, we shot, edited and produced the film and soundtrack on this site ourselves.
We captured most of the footage in three days then spliced in some shots we had storyboarded for Ascari when previously commissioning another South West company – Denhams. The benefit to Ascari is that the whole thing is royalty-free. Just before Christmas we received a call from a company in the USA. They saw the Ascari film, loved the soundtrack and have asked us to do the same for them. Don’t you love it when that happens? Watch this space!

It used to be that an advertising agency was simply that – an agency that you would go to if you wanted to advertise.  You would expect to pay them to create a message, devise a look and then put it in front of as many potential customers as you could afford. 

In recent years, however, the boundaries have become increasingly blurred between advertising agencies, marketeers, design groups and digital agencies.  Pressure is increasing on all of these to create ‘integrated’ solutions – campaigns that work across all media. Hence advertising agencies are having to diversify into areas once exclusive to digital or design agencies, and vice-versa. 

That’s not to say that there are no longer any specialist agencies out there. There are.  But the service offering for each type of agency is becoming more integrated. Where the agency can’t deliver something internally, they will almost certainly have a relationship with someone else who can. This is great for the individuals working within the agencies.  Being able to work in areas that we would not previously have experienced makes the job more fulfilling and more enjoyable; it also gives us more opportunity for learning and personal development.  For the client, it is perhaps not always clear which type of agency they should be working with, but it is also true that their agency (however they label themselves) is now more likely to understand how to satisfy their clients’ broader commercial and marketing objectives, using a broader palette of communications.  Surely that’s good news for everyone?

(Opinion: Paul Mabin -Creative Director)

This month, Tatler, the contemporary British glossy journal published by Condé Nast Publications, celebrates 300 years of publication with a special collectors’ anniversary edition. The unexpected fold-out cover, designed by David Newton, represents Her Majesty (no stranger to the iconic Tatler cover) in various graphic styles and finishes from past eras. However, the real gem is amidst the luxury fashion and designer brands – a fascinating 21-page feature that chronicles the trend-setting publication from it’s humble beginnings in 1709 to today! Nice.

www.tatler.co.uk 

It’s the culmination of nearly a year’s work – the new Princess Yachts International suite of brochures have been unveiled at the Southampton International Boat Show. It has involved hard work from the team (and many late nights), to get this prestigious project delivered for the show and thankfully, the feedback we’ve had from Princess Yachts and their distributors has been exceptional. This year, we’ve extended the suite by including an electronic brochure, presented on DVD, which has also been equally well received.  The icing on the cake for Paul, Simon, Vicki and Matt, was to be taken out into the Solent on a Princess V48 at the Boat Show. Of course, it’s absolutely essential to the design process to experience how the the boat handles and manoeuvres first hand…(That’s what we tell Princess anyway). Now it’s back to the office to start the whole process all over again!

Has it been a year already? Last night DNA once again attended ECO (Exeter Contemporary Open) at Exeter Phoenix. ECO is a national platform for emerging contemporary artists and aims to reflect themes and concerns in current practice over a broad range of disciplines. DNA were proud to sponsor the New Media category and awarded the prize to Hayley Lock, whose striking work has become the poster image for the exhibition. Congratulations to Hayley and Exeter Phoenix for putting on such an enjoyable event. ECO runs from 17 Sep – 4 Nov, so be sure to drop by if you can. Here’s a nice smiley pic of Rich with winner, Hayley Lock.
www.hayleylock.com

We’ve been working with Subway for many years now and, although it’s never been a brand that’s stood still for long, the company is now part-way through a really interesting repositioning exercise. Working with London agencies McCann Erickson and Momentum their plan is to make more of how easily you can customise their subs into something you really fancy – whatever you feel like (something you can’t do with a KFC or McDonald’s). We’re really pleased to be part of the process and hopefully it won’t be long before we can show you some of the ways we’re chipping in!

Read more at: http://www.marketingweek.co.uk/subway-to-launch-new-brand-strategy/3004226.article

Or check out their new ads here: www.thedrum.co.uk/news/2009/09/09/11338-subway-set-to-reveal-new-campaign

In my opinion, there’s no such thing as an ugly Aston Martin. The cars might not have the clipped finish of a Porsche, but there’s no doubt in my mind that the DB9 and V8 Vantage are two of the best looking cars ever produced.

But when it was reported that Aston were launching a Bugatti Veyron-beater  - the limited-edition One-77 – I thought to myself, ‘can they really deliver a car that justifies a £1million price tag?’

I must admit, despite being an Aston Martin lover, I thought no…

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